Bryana Fritz is a choreographer, writer and dancer based in Marseille. Her work is informed by an ongoing interest in medieval literature, mystical theology, and the politics of readership. Her most recent projects, Submission Submisssion and Begin/The Mirror, focus on Medieval Women’s history, the body as a tool of subversion, and the theological concept of resurrection. With Henry Andersen, she initiated the Slow Reading Club, a participatory performance that uses bodily practice to complicate the act of collective reading.